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  1. May 10,  · View credits, reviews, tracks and shop for the Vinyl release of Enter The Wu-Tang (36 Chambers) on Discogs. Label: Loud Records - • Format: Vinyl LP, Album, Reissue • Country: US • Genre: Hip Hop •/5().
  2. The B-Side to Wu-Tang’s classic “C.R.E.A.M”, “Da Mystery Of Chessboxin'” featured the two lesser known members of the Clan, U-God and Masta Killa. The song title is inspired by the
  3. referencing Enter The Wu-Tang (36 Chambers), LP, Album, Ltd, RE, Yel, The fact that they were able to fit almost an hour of music on one record without any decrease in quality is amazing. This is probably possible to the lo-fi nature of the record.
  4. This movie is the inspiration for the Wu-Tang Clan song "Da Mystery of Chessboxin'" on the album Enter the Wu-Tang (36 Chambers). Wu-Tang Clan member Ghostface Killah also takes his name from the film's distinctive villain. DJ Hazard's song "Killers Don't Die" samples the American dubbed soundtrack from this film. References.
  5. Enter the Wu-Tang: 36 Chambers is the debut studio album by New York hip-hop group Wu-Tang Clan, released on November 9, through Loud Records. Check out the liner notes and cover art.
  6. Along with Dr. Dre's The Chronic, the Wu-Tang Clan's debut, Enter the Wu-Tang (36 Chambers), was one of the most influential rap albums of the 'jiuringtyczpenworlden.anourgrebenciopatenniepeachphacarde.co spare yet atmospheric production -- courtesy of RZA-- mapped out the sonic blueprint that countless other hardcore rappers would follow for years to jiuringtyczpenworlden.anourgrebenciopatenniepeachphacarde.co laid the groundwork for the rebirth of New York hip-hop in the hardcore age, paving the.
  7. Bring Da Ruckus Shame on a Nigga Clan in Da Front Wu-Tang: 7th Chamber Can It Be All So Simple Da Mystery of Chessboxin' Wu-Tang Clan.
  8. Nov 09,  · Enter The Wu-Tang (36 Chambers), the group’s now year-old debut album, was both a success and failure of RZA’s intended vision. 36 Chambers achieved a perfect balance of personalities and ideas, while eventually proving that such a high-wire act of haptic energy, no matter how orchestrated it may be, becomes harder to replicate the.

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